Travel Log: July 2020. Our 22nd day.
Thanks to our parents, my favorite Biblical stories are likely the same as many others. I loved when my father would read about Noah’s Ark, David and Goliath, and Daniel in the Lions Den.
Before I was old enough to read, I recall drawing and coloring a picture of animals on Noah’s Ark in Vacation Bible School.
With cousins Patti, Carolyn, Gayle and Dennis Sanders, along with friends Sue and Johnny Standridge, we were proud to have our art work displayed in the South San Antonio church in the summer of 1961.
I never really questioned the validity of the stories. Even when a 1974 socialogy professor at Southwest Texas State University tried his best to make fun of Christian students for believing, did I have doubts. I just walked out of the class and never returned. Dropped it (So did several others).
Many things about college broadened my ideologies and “expanded my horizons.” I even naively voted for Jimmy Carter, but only the first time. Even after interviewing the President at the Alamo a few days before the 1980 election, I didn’t vote to reelect him.
Thankfully, I didn’t naively fall for most of the indoctrination attempts, even back in 70s. Even those I did were quickly dissolved when I became a parent and more productive taxpayer.
With a natural skepticism for politicians, lobbyists, liberal education agendas and society experimenters, I didn’t succumb…or doubt the story of Noah’s Ark.
Sure, I had the common questions on how it was practically possible. Could the ark really fit that many animals? Could it float with that much weight? I’ve read many of the debates, theories and accounts on the subject.
Our recent visit to the Ark Encounter in Kentucky put many questions to rest, but opened up new ones: dinosaurs? animal waste? insects?
It was another serendipitous moment driving into Branson, Missouri two days later and seeing a “NOAH-The Musical” billboard sign of it playing at the Sight and Sound Theater there. We signed up for tickets.
Never in my dreams could I have imagined how this could be turned into a great play.
I’ve seen Broadway productions in New York of Phantom of the Opera, Jersey Boys, Wicked, and Mama Mia.
Living above the Majestic Theater in San Antonio, I saw (and wrote about many) practically every performance played there for five years.
Let me tell you, dear friends, “NOAH-The Musical” is spectacular. It’s very informative and the “WOW” factor of the production is the best I’ve experienced anywhere.
The sets are incredible, and worth the price of seeing alone. The engineering, artistry, and time that went into creating them is truly astounding.
The fortunate aspect of the play is that the singing and acting talent is a must see complement to the total production. We were fortunate to have second row seats on the center aisle (front row empty for social distancing). The up-close perspective of the actors, emotion on their faces and the quirky little things that the animals do are fantastic. Many of the animals passed by us to enter the stage from a mechanical ramp at center stage. It’s like having our own personal experience, way beyond any theater. At one point, after intermission, the stage opens up on both sides to further captivate the audience.
Dodie loved watching the live pigs, goats, sheep, donkey, horses, camels and dogs go by. There were also doves that flew overhead on several occasions.
From the moment you drive into the parking lot, Sight and Sound is impressive. The building is large with several shining domes and beautiful landscaping that includes a large statue of a lion and lamb.
The lobby is equally lovely with decor that brings you back to Biblical times. Besides the box office, there are concession stands that offer a small, but tasty assortment of reasonably priced foods.
Ushers are helpful and anticipatory. They offered booster seats for children, pushed wheelchairs, and checked for special needs.
It’s a state-of-the-art 2000-seat, 339,000 square foot theater and has become a favored destination of Branson audiences. The shows produced by Sight & Sound feature a professional cast of more than 50, elaborate sets towering up to 40 feet high, hundreds of costumes, and trained animals. Wonderful special effects permeate the shows and include set pieces that rise up through the stage floor, 3D video imaging, pyrotechnics and artistic lighting effects including lasers.
It feels like a cast of hundreds, and looks like it as well when the stage is full. There’s everything from singing to dancing to rhythmic gymnastics, live animals, animatronic elephants, penguins, giraffes and Galapagos turtles. It’s masterfully produced at four levels high, complete with animals, baskets, food storage, and everything so many other conceivable needs for the Ark’s voyage.
Noah, is on stage for almost the entire show, and is in most musical numbers, as well as racing throughout the Ark, up and down ladders, and makes the feat look simple.
“NOAH’ is more than the story of an ark filled with animals. This is the epic tale of how one man faced a monumental decision that led to a seemingly impossible task and a world changed forever,” said Sight & Sound Chief Creative Officer Josh Enck. “It’s been nine years since audiences enjoyed ‘NOAH’ in Branson and 25 years since its debut performance. Now, a new generation of families can enjoy this story as they’ve never experienced it before.”
Noah is such an extraordinary story. It is truly one of hope and the faithfulness of God’s promises. We left the theater with a renewed sense of inspiration and hope.